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30/04/2020
By Lauren Paddison
MusicMusic ReviewOpinionTheatre Review

‘Take Me To The World’: Celebrating And Ranking Sondheim’s Best Songs

It’s almost impossible to pick an absolute favourite, and even harder to rank Stephen Sondheim’s work against one another, but here we go. Happy birthday Sondheim!

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26/04/2019
By Harrison Dumesich
ReviewTheatre Review

Samo Is Dead

In Samo Is Dead, a “motif of modern youth speaks to a more universal idea of spiritual connection”, writes Harrison Dumesich

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18/04/2019
By Surg FM
ReviewTheatre Review

Revue’d: Sydney Uni Revue – The Void

The incredibly talented cast and production team were let down by creative risks that traded in the soul of student theatre for some swinging doors.

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18/04/2019
By Surg FM
ReviewTheatre Review

REVUE’d: PoC Revue: A Not-So-Hard Sell

Empowering, gutsy, captivating, endearing and outrageously funny

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13/09/2018
By Nick Forbutt
ReviewTheatre Review

It’s Not Creepy If They’re Hot – Sydney Fringe Festival

When I was standing at the urinal during the intermission, the guy next to me said, “How accurate were those guys?”

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12/05/2018
By Latiffe Tee
ReviewTheatre Review

Revue’d: PoCRevue’s Heroes Of Time Past Takes On Systemic Racism, One 8-bit Mini Boss At A Time

Whilst it was somewhat sad to see my childhood heroine destroyed by an aluminium goon bag, I was faced with the reality that all good things must come to an (alcoholic) end.

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09/05/2018
By Victoria Boult & Amelia Mcnamara
ReviewTheatre Review

Review: Buried Child

Incredibly evocative, the society’s latest production reveals to us the hilarious, heartbreaking and often horrifying aspects of the decaying American Dream.

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29/03/2018
By Emma Hayman
ReviewTheatre Review

Review: SUDS’ The Aliens

There are only three characters in The Aliens. Set entirely in the back alleyway of a coffee shop in Vermont, nothing much happens either. That, however, is entirely the point in this play punctuated by silence.  

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28/03/2018
By Nell O'Grady
ReviewTheatre Review

SURG MUSEings on MUSE’s Parade

The musical explores rumour and misjudgement and general mistrust in a community, placing it in the Trump induced, distrustful and prejudiced nature of present day. Its relevancy is paramount.

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27/10/2017
By Victoria Boult & Amelia Mcnamara
ReviewTheatre Review

MUSE’s Spring Awakening: Melancholy, Upbeat and Slightly Arousing

It's not often one can leave a packed, somewhat antique theatre feeling all sorts of melancholy, upbeat and slightly aroused, but thus is the power of MUSE’s Spring Awakening.

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We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country Surg is based. this was and always will be Aboriginal land. We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.

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