A Track-By-Track Review Of ‘SOUR’ By Olivia Rodrigo
Which songs tug at the heart strings? Which songs will have you scream-singing along with them in your room? Read this track-by-track rundown of the album by a guy who is very far from Olivia’s key demographic to find out.
Album Review: ‘Infinitely Ordinary’ By The Wrecks
Lets Wreckin’ go: The Wrecks’ debut album Infinitely Ordinary is everything that’s good about alternative music.
Album Review: Sleepyhead by Cavetown
Cavetown lets the undeniably privileged young adults of the world have their moment in the spotlight of hardship and adversity.
Album Review: Everything Is A-OK by Violent Soho
When Violent Soho tells you Everything Is A-OK, prepare to be pacified.
Album Review: Cenizas by Nicolas Jaar
The devil works hard but Nicolas Jaar works harder.
Album Review: 03.15.20 by Childish Gambino
Not many people in 2005 would have guessed that an up-and-coming comedian attempting to remix Sufjan Stevens in his dorm room would headline Coachella.
Album Review: Everything is Beautiful / Everything Sucks by Princess Nokia
Across two jarringly-seperate yet inextricably-linked albums released together as a double, Princess Nokia displays their sensibilities as both musician and human as two sides of the same coin.
Album Review: Man Alive! By King Krule
Man Alive! is a reworking of King Krule’s familiar woozy and aggressive sound, with an added touch of tenderness.
Album Review: ‘We’re New Again’ By Makaya McCraven And Gil Scott-Heron
We’re New Again evidences McCraven’s deep passion for Scott-Heron’s work, tributing and contextualising it in the best way he knows how.
Vampire Weekend’s ‘Father Of The Bride’ Might’ve Just Out-Vampire Weekended Vampire Weekend
While far from the band’s most cutting-edge work, Vampire Weekend’s fourth studio album is a colourful and wildly enjoyable pop extravaganza, writes Matthew Forbes