Album Review: Crushing by Julia Jacklin
Julia Jacklin’s second album is at times a little too familiar to her contemporaries, but the sonic stories she’s created carve out their own space and remind you of very similar scars.
Review: 7 ‘Beach House’
“There’s something in 7 for everyone, from the intimate whispering, to the expansive drone of the synths and feedback hum of the guitar.”
Review: SR3MM — Rae Sremmurd
“The obvious stream filling here is ridiculous and spells trends I fear as an avid listener of hip hop.”
16 Cooked Moments that Essentially Sum Up Splendour in the Grass 2017
What a wild ride that was. For those who were there enjoy this tbt, for those who weren't get ready for your fomo to peak.
Tyler, Is Back: How ‘Who Dat Boy’ Fits In To The WOLF Conspiracy Theory
This new video is a dramatic return to the world of WOLF.
Review: How Did We Get So Dark – Royal Blood
The duo have moved on from solely relying on raw bass and drums and fulfill this unique sound - they’ve managed to flesh it out and add a greater depth to their songs.
Repressed: Midori Takada’s Through The Looking Glass
The previous “Holy Grail” of Japanese ambient music is still as fresh today as it was in 1983, with fans of ambient and Japanese, as well as fresh faces, all rushing to their closest retailer to have a listen to this gem.
The Eurovisionary’s Report Is In: The Top Five Performances This Year
Forget what the bookies are saying, because we can’t read odds; here are our top five performances in this year’s Eurovision Song Contest:
The National Take on a Cryptic Aesthetic with New Track ‘The System Only Dreams in Total Darkness’
The song is more upbeat than the tracks from their past two albums, and by upbeat I mean it’s more dynamic-sounding, not that it is in anyway chirpier.