ALBUM REVIEW: Genesis Owusu goes darker than the debut on ‘Missing Molars’
Matt Forbes takes us through the deluxe edition of crowd favourite Smiling With No Teeth.
ALBUM REVIEW: ‘Sling’ – Clairo
Alana Ramshaw walks us through the new release from Clairo.
SONG REVIEW: ‘Signal from the Noise’ – BadBadNotGood
Patrick McKenzie reviews the anticipated new track from BadBadNotGood.
A Track-By-Track Review Of ‘SOUR’ By Olivia Rodrigo
Which songs tug at the heart strings? Which songs will have you scream-singing along with them in your room? Read this track-by-track rundown of the album by a guy who is very far from Olivia’s key demographic to find out.
Concert Review: Wallows’ Virtual Tour At The Roxy
When LA band Wallows announced their collaboration with No Cap to stream a series of pre-recorded concerts at The Roxy, I decided it was time to put an end to my concert dry spell and tune in.
Song review: ‘Getting Closer’ By Yellow Days
It might be because I listened to the song in between ‘the midnight gospel’ episodes or maybe I’m just caught up in an existential-millennial crisis, but I also found this song as a reminder to be present and appreciate the space you’re in.
Song Review: ‘Deadlands’ By Shining Bird
Shining Bird’s new single matches the scale of destruction and loss caused by the bushfires, from a time that’s already been relegated to the back of many Australians’ memories.
Album Review: ‘Infinitely Ordinary’ By The Wrecks
Lets Wreckin’ go: The Wrecks’ debut album Infinitely Ordinary is everything that’s good about alternative music.
Film Review: King Gizzard & The Lizard Wizard’s Chunky Shrapnel
Chunky Shrapnel bills itself as “A musical road movie dipped in turpentine”. King Gizzard & The Lizard Wizard are known for a theatrically-enigmatic presence; always energetic and always loveable. Their film conveys this and then some.
Song Review: ‘Hollywood’ By Car Seat Headrest
While the artsy-kid-chewed-up-and-spat-out-by-the-corrupt-system narrative is nothing new, frontman Will Toledo manages to breathe new life into the trope, expressing internal anxieties, as well as sharp criticisms of the entertainment industry.