Album Review: Man Alive! By King Krule
Man Alive! is a reworking of King Krule’s familiar woozy and aggressive sound, with an added touch of tenderness.
Album Review: ‘We’re New Again’ By Makaya McCraven And Gil Scott-Heron
We’re New Again evidences McCraven’s deep passion for Scott-Heron’s work, tributing and contextualising it in the best way he knows how.
Vampire Weekend’s ‘Father Of The Bride’ Might’ve Just Out-Vampire Weekended Vampire Weekend
While far from the band’s most cutting-edge work, Vampire Weekend’s fourth studio album is a colourful and wildly enjoyable pop extravaganza, writes Matthew Forbes
Album Review: Crushing by Julia Jacklin
Julia Jacklin’s second album is at times a little too familiar to her contemporaries, but the sonic stories she’s created carve out their own space and remind you of very similar scars.
Review: 7 ‘Beach House’
“There’s something in 7 for everyone, from the intimate whispering, to the expansive drone of the synths and feedback hum of the guitar.”
Review: SR3MM — Rae Sremmurd
“The obvious stream filling here is ridiculous and spells trends I fear as an avid listener of hip hop.”
16 Cooked Moments that Essentially Sum Up Splendour in the Grass 2017
What a wild ride that was. For those who were there enjoy this tbt, for those who weren't get ready for your fomo to peak.
Tyler, Is Back: How ‘Who Dat Boy’ Fits In To The WOLF Conspiracy Theory
This new video is a dramatic return to the world of WOLF.
Review: How Did We Get So Dark – Royal Blood
The duo have moved on from solely relying on raw bass and drums and fulfill this unique sound - they’ve managed to flesh it out and add a greater depth to their songs.
