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10/06/2026
By Lucy Horton & Alize Viner
Concert ReviewOpinionSURG

Wednesday, live at at the metro theatre 3/6/26

Alize Viner and Lucy Horton mow the leaves … Alize With Sydney hearing Bleeds, Wednesday’s 2025 album, live for the first time, it felt fitting for the band to kick off the concert with a passionate rendition of the first track ‘Reality TV Argument Bleeds’. Swells of buzzy guitar

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04/06/2026
By Lucy Horton
FeatureFilmSURG

La Haine (Asian Dub Foundation Version) at the Sydney Opera House, 30/05/2026

Lucy Horton reviews … Big night for teen bro-ey sensibilities. Coulda been bigger –– their arbiters were there in spirit, but were probably the sparsest demographic in the Playhouse Theatre on Saturday: a fairly older crowd with a solid slice of twenty-somethings.  A young man, Abdel, is

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08/05/2026
By Lucy Horton & Charlotte Macdonald
Concert ReviewFeatureMusicSURG

john maus at the metro theatre, 30/04/2026

Fanged Numinous. Bangs Numerous. Today was a lot of explaining, to various barristers and housemates, what retro-futuristic darkwave organum-pop might sound like: Hollow. Sparkly. Eerie. Sweaty. Drony. Avant-garde … where the ‘guard’ is one of any conventions of contemporary pop music, an

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29/10/2025
By Lucy Horton & Arlo Coleman
FeatureMusicSURG

How To Take A Fall Review

How to Take a Fall is the four-way split EP by Juno Eclipse, Should Be Sweet (mixed by Georgia Harrison), Charles Carnabuci (mixed by Luke Payne), and Siphon (mixed by Andy Bailey-Hughes). It’s out November 7. If ‘Midwest emo’ is defined by the twinkly, meditative jangle of  ‘90s colleg

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18/10/2025
By Lucy Horton
Concert ReviewFeatureSURG

Dissect HXC @ Monster Mouse Studios, Marrickville Saturday, October 11, 2025

It’s a balmy Saturday evening in Marrickville. Various band members (whom I mistake, on two occasions, for staff) direct people to bathrooms, re-fill the water dispenser, and perch on the couch propped up against a whitewashed wall in Monster Mouse Studios’ open-plan artist’s space. I realise

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24/09/2025
By Lucy Horton
Concert ReviewFeatureSURG

Old enough to know better, young enough to pretend: 25 Years of The Get Up Kids’ Something to Write Home About

There’s quite the line outside the Oxford Art Factory. Hoodies and canvas jackets are tied around waists, freeing hands to vape or authenticate, photographically, claims of ‘the last time they were here….’. The distribution of flannels is more than standard, but not in-your-face; offset by t

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