Dumbhead, live at phoenix central park, 22 September 2026.
Lucy Horton and Calista Burrowes review It was hard not to revel in the air of self-concocted mystery on the rainy Tuesday night that experimental trip-hop three-piece Dumbhead (Naarm) graced Judith Neilson’s Phoenix Central Park. Chippendale creatives decked out in slim-fit leather and work-spons
Don’t Call Them Twee Bro!
… But don’t call them Indie Sleaze or Hyperclash or Electroclash Revival or Indietronica or Bloghouse either … Jesse Carpenter has some words for the taxonomical sleazebags. At the concert you see a guy wearing a D&G shirt: standing for Deleuze and Guattari, or maybe Drain and Gang? Yo
An Interview with James Litchfield and Lucinda Reynolds of Alphabet Lane (2026)
Charlotte (Vice President, FilmSoc) and I (Digital Content Director, SURG) sat down with James Litchfield and Lucinda Reynolds, the writer-producer duo behind Alphabet Lane (2026). You can see it on screen on Saturday September 5 as part of the Sydney Opera House’s Australian film program. Sho
Mouseatouille Live Changed My Life
Calista Burrowes reviews their Phoenix Central Park set, 13/8/26 When I stumbled into a very exciting opportunity to see Mouseatouille at Phoenix Central Park, I couldn’t contain my excitement. I had never seen the band live. I’d attempted to, several times now, but each time, I just missed them
Life during wartime: on massive attack at afterpay arena, August 9 2026.
Orpheus carefully yet assuredly steps toward his reflection in the mirror. He thinks not of his recently murdered wife, Eurydice, but of the princess of death with whom he has fallen in love. He makes contact with the mirror’s surface, which breaks and ripples. His body and reflection converge
“We’re friends first and a band second”: Deadshowws discuss the release of their new album, You In Colour
Deadshowws discuss the release of their new album, You In Colour.
I was the “Rat” in the “Bin” that was Jim E Brown at Mary’s Underground
I expected Friday the 26th of June 2026 to be about a lot of things: The last gig at Mary’s Underground ever. My friends’ dual birthday party. Faux-Pom post-punk synth-pop. Millennial-style self-deprecation. 9-11. (All things hyphenated to death.) Instead, my night was about the pristine McChick
Indie-pop perfection: Stereolab at the Metro Theatre
Sam O’Reilly and Felicity Errington review We wandered into the Metro Theatre on the 21st of June, joining a flock of striped and gleeful 20-somethings. The venue itself was a tad self-serious, reflected in a $13.50 Newtowner and rather severe bar lighting. A trip to a gig is never a ticket of
The birth of Christ or the birth of Unknown Pleasures?
Felicity Errington reviews 24 Hour Party People … When I am alone, either on the bus to uni or just before bed, I think of a scene from 24 Hour Party People: Tony Wilson (Steve Coogan) walks through a shadowed alleyway and is heckled by a homeless Mancunian (Christopher Eccleston) who monologu
Erika de Casier with the Sydney Symphony Orchestra, live at the Sydney Opera House
Ynes Fernandez reviews … After coming here a handful of times before in seedier, smaller venues––the Oxford Art Factory for one––the Copenhagener Erika De Casier made her Sydney Opera House debut as part of the Vivid LIVE music program. She brought her drummer, Jonathan Jull Ludvigsen,