Concert Review: Wallows’ Virtual Tour At The Roxy
When LA band Wallows announced their collaboration with No Cap to stream a series of pre-recorded concerts at The Roxy, I decided it was time to put an end to my concert dry spell and tune in.
Film Review: Tenet
After a relentless press campaign and being delayed three times, Christopher Nolan’s new movie Tenet quickly established large-scale expectations to live up to.
Song review: ‘Getting Closer’ By Yellow Days
It might be because I listened to the song in between ‘the midnight gospel’ episodes or maybe I’m just caught up in an existential-millennial crisis, but I also found this song as a reminder to be present and appreciate the space you’re in.
Songs To Appreciate A Good Leaf To
You can’t have a good leaf without a good playlist - because if the playlist is a dud, was the leaf even that good?
Saint Lane: Locked In, Not Down
The Artist on quarantine, socially distanced shows, and Kanye West
Song Review: ‘Deadlands’ By Shining Bird
Shining Bird’s new single matches the scale of destruction and loss caused by the bushfires, from a time that’s already been relegated to the back of many Australians’ memories.
Fresh Music Friday: Ex-Olympian, Martyn Bootyspoon, Låpsley & Logic1000
Alec Cobbold, Thomas Lawes and Zander Czerwaniw simmer on Ex-Olympian’s debut single, a bouncy banger from Martyn Bootyspoon, and a remix bringing together two power players in pop and dance, Låpsley and Logic1000. ‘Voices In My Head’ – Ex-Olympian Alec: Something new coming out of that
Fresh Music Friday: Valley, Curtis Damage, El Tee
Fresh Music Friday is back! After a brief hiatus, Ruairidh McHugh, Jacob Shteyman and Almo Kabital combine forces to review three substantial tunes from Valley, Curtis Damage and El Tee. ‘nevermind’ – Valley Ruairidh: The 1975 jump out big time! Get ready for this to be put on a bunch of &
Bluesfest Bound LamBros. Step Out With New Single ‘Don’t Say My Name’
A fusion of blues, funk, and rock, this new track by Sydney-based LamBros. balances lyrical emotional weight with hard hooks and hypnotic bass to make it a searing anthem.
Even Pitchfork Can’t Host A Good Livestream
For a publication that still prides itself on being a kingmaker and trendsetter for upcoming indie or alternative acts, myriad AV and communication issues sour the experience heavily.